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Band Concert Review
B.B. King Playing The Blues for over 50 YearsArie Crown Theater - Chicago, IL, USA - July 26, 2003By Paul StinsaIt's been over fifty years since he had his first number one R & B hit, but on Tuesday night B.B. King could be found in the same place he spends over 200 nights each year - on stage playing Lucile and singing the blues to his fans at the Arie Crown Theater in Chicago. The 12th Annual B.B. King Music Festival came to the Lake Michigan shoreline this year, bringing with it two guitar legends and members of the Rock and Roll Hall of Fame. On the bill with the King of the Blues this year is former Yardbird Jeff Beck. Although their styles are vastly different, the idea of seeing these two masters at the same show was something I couldn't pass up. With only a drummer and a keyboardist to back him up, Beck took to the stage first and played for a little over an hour. Using the proven combo of Fender Strats and Marshall amps, Beck whipped through a series of instrumentals that showcased his skills as he switched between thoughtfully phrased bluesy numbers to slide guitar solos and into heavy rock numbers. As he moved though selections representing his work in the Yardbirds and the Jeff Beck Group and even his new release Jeff it was apparent that he is one of the most skilled and versatile guitarists that you'll ever see. What was far less apparent was a rapport with the audience. Although Beck played masterfully as he seemed to feed off the energy of the drummer, it was clearly difficult to involve the crowd into his show. Power chord and riff-based instrumentals one after another at times seemed to alienate a crowd that was already segmented by the two unique styles of King and Beck. Even the impeccably played Curtis Mayfield hit "People Get Ready" seemed to be missing something - maybe the lack of vocals. The unused microphone to the left of Beck all evening symbolized to me what would have improved his set show significantly, even if only to intro the songs or interact with the audience for a moment. Highlighting Beck's hour was his rendering of the Beatles' "A Day in the Life" during which he "sang" every lyric with perfectly chosen notes.
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